Constrained and Concession

Constrained_wood, acrylic_48"x48"x14"

Constrained_wood, acrylic_48″x48″x14″

Ok, so, like, I was thinking, and uh, well… I kind of like these pieces. And I didn’t even burn them.

herc-I initially created ‘Constrained’ with plans for a patterned Hercules figure to dominate the centaur, but mid-way through the process I found the abstracted shape more compelling than finishing the illustration of Giambologna’s sculpture, from which it is derived. In my previous pieces (and more clearly seen here) there is an evolution of focus on the victimized character while allowing the oppressor’s presence to be implied and/or subverted. In a similar mentality of redacting a character from the piece the absence of depicting the features of the victim redacts another step of information, pushing the work into a focus on it’s formal qualities and the awesome shadows obtained through the structures. Oddly, all the content of my earlier works is present, yet there is a broader implication in the work when not illustrating specifics.

Concession_wood, acrylic, graphite_60"x80"x30"

Concession_wood, acrylic, graphite_60″x80″x30″

In my next piece, ‘Concession,’ I took this new methodology and forced it into a more active direction, cutting several more angles into the ‘character’ and generating a larger, angled structure primarily for the shadows it would cast. The graphic line-work on the character seems to simulate landscape, but is actually derived from a statistical record of Regional Violent Crime in the US from 2002-2011. This links back to the ‘Culture of Honor‘ society of Southern reputational violence, which has influenced several of my works. (It is not quite environmental determinism as it is a cultural construct, but it can be geographically influenced which is interesting.)

So, most importantly, this style of working is a pretty huge step for me into a more sculptural and less illustrative way of making. I am quite excited by it. I doubt I can ever give up the figure entirely, but these shifts are exciting as ways to progress into new investigations even while using the same resources.

Advertisements
This entry was published on January 2, 2013 at 12:41 am. It’s filed under Art and tagged , , , , , , , . Bookmark the permalink. Follow any comments here with the RSS feed for this post.

2 thoughts on “Constrained and Concession

  1. My art knowledge is next to nothing, but…I love the shadows here. I suppose the lines are from a line chart? It’s a great idea, incorporating statistics into art.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

%d bloggers like this: